Wednesday, 30 November 2016

Collingwood Public Library wins Georgian Bay Reads

Collingwood Public Library CEO Ken Haigh holds the
Georgian Bay Reads trophy, with defender Julie LeBlanc (in red)
and Dorothy Gebert, Public Relations Coordinator
Collingwood Public Library took the prize at the 2016 Georgian Bay Reads event October 22 held at Meaford Hall & Cultural Centre. It was a tense (but good-natured) battle of the books with representatives from Clearview, Springwater, Wasaga Beach, Meaford, and Collingwood Public Libraries attempting to convince the audience and each other of their chosen books’ merits.

Julie LeBlanc, host of Georgian Bay Life on Rogers TV, was Collingwood’s representative and enthusiastically defended The Manticore by Robertson Davies to win the Georgian Bay Reads trophy. Michele McKenzie of Clearview Public Library won the Popular Choice Award for They Left Us Everything by Plum Johnson.

For the last 8 years, this literary competition has brought together Georgian Bay area libraries and their patrons to celebrate Canadian authors in an event filled with lively discussion and amiable rivalry.

Winning the award means that Collingwood Public Library will hosting next year's event. Stay tuned for details in mid 2017!


-- Dorothy Gebert

Thursday, 10 November 2016

Libraries and Learning

As part of our strategic planning process, we asked people to fill out a community survey.  One of the questions was: “What kind of services do you think Collingwood Public Library should offer?”  When we tabulated the results, “Maker spaces” ranked last with our respondents.

A maker space is another name for a community workshop where tools are shared, especially expensive tools that individuals could not afford to purchase on their own. In the public mind, maker spaces have become identified with 3-D printers (a good 3-D printer will cost $10,000.00 or more), and that is perhaps unfortunate.  The roots of the maker space movement go back to the do-it-yourself movement of the 60s and 70s, as Laura Elizabeth Pinto writes:

“[T]he DIY (do-it-yourself) activist movement (or DIY ethic)[was] established with the lofty goal of getting “off the grid,” by recycling, repairing, gardening, sewing, building, making music and preserving food as an act of anti-consumerism.  DIY in this form began to emerge in North America in the late 1960s and early 1970s,grounded in social and environmental movements of the day. Rather than buying new things, the DIY ethic dictated that individuals should create, repair and fix for sustainability, and to lessen, or even eliminate, their reliance on corporations.”

But whereas these early DIY practitioners were independent creators, the current maker movement stresses “collaboration for social learning.”  This is why public libraries have embraced the movement.  Public libraries are places where the community gathers and shares knowledge, so they are obvious places to create a shared work space.  Thus the term “maker space” has come to mean “a place where individuals come together to create.”

The problem, as I see it, is that the maker movement, which began as an anti-consumer, pro-environmental movement, has been co-opted by the very corporations it set out to oppose.  You can buy “maker” kits now from “maker” magazines.  Even the phrase “Maker Faire” is a registered trademark. The term “maker” has become so widely used, that it has become meaningless. 
    
And many libraries seem to have forgotten the philosophy that launched the maker space movement in the first place. Library maker spaces have become another programming space where you hold extremely expensive craft programs.  You see events where you can register to learn how to design your own monogrammed key fob on a Mac computer and have it printed on a 3-D printer.  Libraries explain that they need to offer these entry level craft programs to introduce the technology to the community.  The idea being that, once people see the potential of this new technology, they will return again and again to create their own projects.  But the opposite seems to happen.  Once people realize just how slow the process is and how expensive the materials are—a small chess piece can take hours to print, and, depending upon the size, can cost upwards of ten dollars in material costs—they lose interest.  As library guru R. David Lankes said in his keynote address at the 2016 Ontario Library Association Super Conference: “A 3-D printer isn’t an answer for anything.”

I am not opposed to the maker space ethic, indeed it warms the cockles of my socialist heart, but I don’t believe that wasting valuable library floor space on little-used and expensive equipment is the way to go.  Too many libraries create maker spaces because they feel obligated to, because everyone else is doing it, without thinking through whether or not it is actually needed or wanted in their communities.  Collingwood library users clearly don’t want us to spend our limited resources on a 3-D printer—that message was loud and clear in our survey results.  On the other hand, many people expressed a desire for more learning opportunities.  Now we just need to discover what sorts of learning opportunities they desire.  We’ve offered writing workshops, digital film-making workshops, and have a regular ongoing series of technology talks.  We even had a tea expert in the library recently, teaching us about the different varieties of tea and their properties.
 
If you have any ideas for interesting library learning opportunities, please let us know your thoughts. Learning needn't be expensive.  It may just be a matter of creating the right social connections.

--Ken Haigh